More Northwestern football coming to Wrigley

After years of flirting, the Cubs and Northwestern will take their relationship to the next level Tuesday when they announce a broad partnership during a news conference at Wrigley Field.

A university source told the Tribune that while Wrigley will not be host to a football game in 2013, other NU teams (baseball, softball, soccer and lacrosse) might play some there this year.

And it's just a matter of time before NU football returns to Wrigley, given that the 2010 Northwestern-Illinois game was profitable for the Cubs and gave the Wildcats a huge marketing boost with ESPN's "College GameDay" in town.

NU athletic director Jim Phillips said after the 2010 game that there was "absolutely potential to do another. This was a wonderful event, it captured a national audience and from the responses I've received, there truly was a bowl-like atmosphere."

But the date and opponent of the next football game have yet to be determined and will depend on the pace of ballpark renovations. The cramped conditions of the 2010 game forced both teams' offenses to play to the same end zone.

Given that scheduling an October game could threaten a playoff schedule, the 2014 games to watch are against Iowa on Nov. 8 and Illinois on Nov. 29.

In 2015, Northwestern is host to Michigan on Nov. 14 and Michigan State on Nov. 21.

The NU source said that partnering with a famous brand and historic venue will help the school advance its theme as "Chicago's Big Ten Team."

And both sides believe the extensive partnership between a school and major sports franchise will be the first of its kind.

Cubs Chairman Tom Ricketts is tight with Phillips and is a major supporter of NU sports.

In an October interview with the Tribune, Ricketts forecasted more football games at Wrigley, called the 2010 Illinois-NU game "one of the greatest days in Wrigley Field history" and said: "When I saw the Northwestern band on the field at halftime, I almost cried."

Phillips also has said he would look into scheduling games at Soldier Field, but Notre Dame and Illinois already have done that. (The Illini play Washington there Sept. 14.)

The NU source said the school favors Wrigley Field, calling it "unique."

tgreenstein@tribune.com

Twitter @TeddyGreenstein

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Sony likely to unveil next PlayStation on Feb. 20

NEW YORK (AP) — Sony is poised to unveil the next PlayStation game console on Feb. 20, a date that would give the Japanese electronics company a head start over Microsoft‘s expected announcement of an Xbox 360 successor in June.

Sony Corp. invited journalists to an evening press event in New York City. The company has not said what it plans to show off, but signs indicate that it’ll be the PlayStation 4. Sony would only say that it “will deliver and speak about the future PlayStation business.”

Such a console would follow Nintendo‘s Wii U, which launched last fall, and precede Microsoft Corp.‘s next Xbox game console, which will likely be unveiled in June at the E3 video game conference in Los Angeles.

Wedbush analyst Michael Pachter said it’s a “super smart” move for Sony to pre-empt Microsoft. This way, the PlayStation 4 will get the spotlight without much competition.

The currently available PlayStation 3 went on sale in 2006, a year after the Xbox 360. But Xbox 360 has been more popular, largely because of its robust online service, Xbox Live, which allows people to play games with others online. The Wii is still the top seller among the three consoles, though it has lost momentum in recent years.

The Wii U was the first of the newest generation of video game consoles to launch, but sales so far have been disappointing. Nintendo Co.’s president, Satoru Iwata, acknowledged recently that the Wii U and the handheld Nintendo 3Ds didn’t do well over the holidays, but he ruled out a price cut for the new console.

All three console makers are trying to position their devices as entertainment hubs that go beyond games as they try to stay relevant in the age of smartphones and tablet computers. Such hubs can deliver TV shows, movies and music. The Wii U has a TV-watching feature called TVii. With it, the console’s touch-screen GamePad controller becomes a remote control for your TV and set-top box. TVii groups your favorite shows and sports events together, whether it’s on live TV or an Internet video service such as Hulu Plus. And it offers water-cooler moments you can chat about on social media.

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Mary Wells, singer of ‘My Guy,’ gets posthumous Rock Hall push

(Reuters) – Mary Wells, Motown Records‘ first female star who paved the way for the success of Diana Ross and The Supremes, shot to fame in the early 1960s only to fade away as a footnote of the longtime Detroit record label.

Now, some two decades after Wells’ death in 1992 at age 49, the singer who scored a No. 1 hit with “My Guy,” is receiving a push for induction into the Rock and Roll Hall of Fame.

Peter Benjaminson, the author of the first Wells biography, “Mary Wells: The Tumultuous Story of Motown’s First Superstar,” has spearheaded the campaign for the singer, who he said has not received the recognition afforded to the likes of The Supremes or Martha and the Vandellas.

Benjaminson, 67, believes that aside from Wells’ merits as an R&B singer and as Motown’s first big female star, she deserves consideration as a pioneer who crossed the black-and-white racial divide in the United States.

“I think it’s unfair to have Mary, who set the path for so many superstars today, be excluded from an honor like this, which she should’ve gotten a long time ago,” Benjaminson told Reuters by phone from his home in New York’s Harlem neighborhood.

Wells was born into a broken household in Detroit in 1943 and contracted spinal meningitis and tuberculosis at a young age, which left her partially blind and deaf.

After graduating high school Wells set her sights on Berry Gordy, the founder of Motown, with a song she wrote herself, “Bye Bye Baby.”

“Gordy kept refusing (a meeting), but she kept persisting,” Benjaminson said. “Finally, he got so annoyed that he asked her to sing it right there … He was so impressed he signed her up the next day as a Motown singer.”

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“Bye Bye Baby,” rose to No. 45 on the Billboard Top 100 chart in 1960, a rare feat for a black, female singer, Benjaminson said.

“She really paved the way for the other women who came after, including Diana Ross,” Benjaminson said. “She showed how quickly a woman could rise on the charts with Motown.”

Wells was nominated for the Rock and Roll Hall of Fame in 1986 and 1987, but never made the cut for induction.

“I don’t know what happened in 1986 and 1987, but she’s certainly due the honor this late in the game,” he said.

Benjaminson is hoping first to get Wells inducted into the Legends Hall of Fame at the Apollo Theater in Harlem, a prominent historical venue for African-American musicians.

“I think that would help in getting her into the Rock and Roll Hall of Fame,” said Benjaminson, who hopes his book may play a role in resurrecting Wells’ reputation.

Benjaminson has set up a Facebook page called “Induct Mary Wells into the Rock and Roll Hall of Fame,” that urges fans to send letters to the foundation that runs the Cleveland, Ohio-based Hall of Fame (http://www.rockhall.com/).

The Rock and Roll Hall of Fame and Museum was established in 1983 and has inducted some 700 performers, songwriters and record producers, chosen by some 600 artists, music historians and industry members.

After scoring other hits such as “You Beat Me to the Punch,” in 1962, Wells landed atop the chart for two weeks in 1964 with “My Guy,” her final Motown hit.

Wells left Motown at the height of her popularity over compensation issues and never found the same success again. She died in 1992 after a battle with throat cancer.

Benjaminson’s biography of Wells, published in November 2012, is his third book on Motown.

(Reporting by Kurt Anthony Krug in Detroit,; editing by Eric Kelsey, desking by G Crosse)

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Ferrol Sams, Doctor Turned Novelist, Dies at 90

Ferrol Sams, a country doctor who started writing fiction in his late 50s and went on to win critical praise and a devoted readership for his humorous and perceptive novels and stories that drew on his medical practice and his rural Southern roots, died on Tuesday at his home in Fayetteville, Ga. He was 90.

The cause, said his son Ferrol Sams III, also a doctor, was that he was “slap wore out.”

“He lived a full life,” his son said. “He didn’t leave anything in the tank.”

Dr. Sams grew up on a farm in the rural Piedmont area of Georgia, seven mud-road miles from the nearest town. He was a boy during the Depression; books meant escape and discovery. He read “Robinson Crusoe,” then Mark Twain and Charles Dickens. One of his English professors at Mercer University, in Macon, suggested he consider a career in writing, but he chose another route to examining the human condition: medical school.

When he was 58 — after he had served in World War II, started a medical practice with his wife, raised his four children and stopped devoting so much of his mornings to preparing lessons for Sunday school at the Methodist church — he began writing “Run With the Horsemen,” a novel based on his youth. It was published in 1982.

“In the beginning was the land,” the book begins. “Shortly thereafter was the father.”

In The New York Times Book Review, the novelist Robert Miner wrote, “Mr. Sams’s approach to his hero’s experiences is nicely signaled in these two opening sentences.”

He added: “I couldn’t help associating the gentility, good-humored common sense and pace of this novel with my image of a country doctor spinning yarns. The writing is elegant, reflective and amused. Mr. Sams is a storyteller sure of his audience, in no particular hurry, and gifted with perfect timing.”

Dr. Sams modeled the lead character in “Run With the Horsemen,” Porter Osborne Jr., on himself, and featured him in two more novels, “The Whisper of the River” and “When All the World Was Young,” which followed him into World War II.

Dr. Sams also wrote thinly disguised stories about his life as a physician. In “Epiphany,” he captures the friendship that develops between a literary-minded doctor frustrated by bureaucracy and a patient angry over past racism and injustice.

Ferrol Sams Jr. was born Sept. 26, 1922, in Woolsey, Ga. He received a bachelor’s degree from Mercer in 1942 and his medical degree from Emory University in 1949. In his addition to his namesake, survivors include his wife, Dr. Helen Fletcher Sams; his sons Jim and Fletcher; a daughter, Ellen Nichol; eight grandchildren; and nine great-grandchildren.

Some critics tired of what they called the “folksiness” in Dr. Sams’s books. But he did not write for the critics, he said. In an interview with the Georgia Writers Hall of Fame, Dr. Sams was asked what audience he wrote for. Himself, he said.

“If you lose your sense of awe, or if you lose your sense of the ridiculous, you’ve fallen into a terrible pit,” he added. “The only thing that’s worse is never to have had either.”

This article has been revised to reflect the following correction:

Correction: February 2, 2013

An earlier version of this obituary misstated the town in which Mr. Sams died. It was Fayetteville, Ga., not Lafayette, Ga.

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Chicago beer firm Crown Imports is caught in antitrust fight

An antitrust brouhaha in Washington has thrown the future of Crown Imports, a Chicago-based beer importer, into question.

The company, which ranks third in U.S. beer sales volume, is a joint venture between New York-based Constellation Brands Inc. and Mexico's Grupo Modelo, which makes Corona Extra, the leading imported beer in the U.S., and other brands. Crown sells Modelo brands as well as China's Tsingtao.

As part of its proposed sale to Anheuser-Busch InBev, Grupo Modelo agreed to sell its 50 percent stake in Crown to Constellation Brands for $1.85 billion. The separate transaction was meant to ease possible antitrust concerns that the merger would eliminate Crown Imports as a competitor.

But on Thursday the U.S. Department of Justice filed an antitrust suit against AB InBev to block its acquisition of Grupo Modelo. Antitrust officials said the merger would further increase the concentration of the U.S. beer market, leading to higher prices for American consumers.

The lawsuit said the sale of Modelo's interest in Crown Imports to its partner would only create "a facade of competition" between AB InBev and the importer.

"In reality, Defendants' proposed 'remedy' eliminates from the market Modelo — a particularly aggressive competitor — and replaces it with an entity wholly dependent on ABI," the Justice Department said in the lawsuit.

The suits cites as evidence part of an internal memo that Crown's chief executive, Bill Hackett, wrote to employees after the transactions were announced in June. According to the suit, Hackett wrote, "Our #1 competitor will now be our supplier ... it is not currently or will not, going forward, be 'business as usual.'"

Under the terms of the proposed merger with Modelo, AB InBev also had the option to terminate its agreement with Crown Imports after 10 years, giving it full control of Corona distribution.

Constellation Brands on Friday attacked the Justice Department, saying in a statement that the suit "demonstrates its incomplete understanding" of the proposed merger. Constellation and AB InBev have indicated that they plan to challenge the suit.

In a detailed defense, Constellation said its full control of Crown would improve competition, not harm it. According to the lawsuit, Modelo controls about 7 percent of U.S. beer sales, far behind AB InBev's market-leading 39 percent.

Constellation attempted to ease concerns that AB InBev's merger with Modelo would lead to higher prices. Hackett said in a statement: "Our Crown team independently develops, implements and refines pricing, promotional and sales strategies for each of our brands in the U.S."

The proposed beer merger had reduced uncertainty hanging over Crown Imports because the Modelo-Constellation joint venture was set to expire at the end of 2016. The Justice Department action creates a new level of uncertainty, said Benj Steinman, president of Beer Marketer's Insights, a beer industry trade publication.

"Crown's fate is hanging in the balance," Steinman said.

asachdev@tribune.com

Twitter@ameetsachdev

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Authorities close 'sex trafficking house of horrors'

Cook County prosecutors announced charges today in connection with a sex trafficking ring in suburban Schiller Park that preyed on poor or homeless women who were forced into prostitution through drug addiction and violence.

At a press conference, State’s Attorney Anita Alvarez referred to the operation as a “sex trafficking house of horrors” and said the half dozen women were supplied heroin and crack cocaine on “a silver platter” to keep them addicted to the narcotics and beholden to the ring's leader.

Authorities identified Keith Williams, 52, as the alleged ring leader and said Roman Kurek, 49, and Sylvia Topolewski, 37,  were all charged  with involuntary servitude and sex trafficking. The three reside at the same Schiller Park residence. Bonds were set at $650,000 for Williams and $350,000 for each of the others.

Schiller Park Police Officer Brian Norris told reporters that the department received a tip last May about drug activity and prostitution at Williams’ residence, leading to a nearly eight-month investigation involving undercover work.

Alvarez said Williams, who goes by the street name of “Shampoo,” recruited the vulnerable women to live with him and controlled them with threats, intimidation and brutality. Williams pocketed all the profits from the prostitution for himself and his associates.

Williams punished the women for so-called “bad behavior” by severely beating them, withholding food from them and demeaning them in other ways, prosecutors said.

Williams would sometimes handcuff the women for days and lock them in a room where they would be deprived of food and narcotics, leading them to become sick from drug withdrawals, prosecutors said.

Alvarez said the six women involved in Williams’ sex trafficking operation were being offered help through social service agencies. More women may have been involved in the operation, though, and are encouraged to come forward to receive support, she said.

bdoyle@tribune.com

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Coming soon to Facebook- more action, battle games

SAN FRANCISCO (Reuters) – When nWay began a trial of its dark, sci-fi combat game “ChronoBlade” on Facebook last year, the San Francisco-based startup felt sure it had a hit on its hands.

“First of all, what comes is, ‘Wow, I had no idea you could actually do a game of this quality on Facebook,’” said Dave Jones, Chief Creative Officer of nWay, who has worked on “Grand Theft Auto.”

Then came some resistance: Jones admits some potential investors and partners questioned how an action-focused game with slick graphics can play to a Facebook audience more accustomed to “Farmville” and other less time-consuming casual games. Others wondered how the game — which launches this spring — would gain significant users and revenue on the social network.

But Facebook Inc is betting nWay and a clutch of other developers this year can extend console-style action games beyond Microsoft Corp‘s Xbox or Sony Corp’s PlayStation onto the world’s largest social network.

Facebook is spearheading the launch of 10 high-quality games created by third-party developers in 2013 that squarely target so-called hardcore gamers, an atypical audience overlooked thus far against the wealth of family-friendly offerings like Zynga Inc’s “Farmville” that now dominate the social network’s gaming landscape.

The effort, which began late last year but will accelerate in 2013, is part of Facebook’s ongoing objective of making sure its 1 billion-plus users log in and spend more time on the network, which in turn boosts ad revenue. Facebook also takes a cut of its applications’ revenue.

Facebook’s push into action and battle games follows a meeting in January between companies that make games like “first-person shooters” and Vice President Joe Biden to look for ways to curb gun violence in the wake of the Connecticut school shootings.

Based on the console gaming industry experience, hardcore gamers — typically men 18 to 30 years old — spend more time and effort to master fast-paced games such as first-person shooters (Microsoft’s “Halo”) or real-time strategy games (Activision Blizzard’s “StarCraft”).

“You’ll see a whole set of games hitting in the next two quarters in particular and throughout the year that really start to redefine what people think of Facebook games,” Sean Ryan, head of game partnerships at Facebook said in an interview.

Facebook will embrace games from “casual all the way up through first-person shooters, massively multiplayer online games, real-time strategy games – all those types of more core player-versus-player games.”

Just as hardcore gamers interact online and form clans in multiplayer games on console game networks like Xbox LIVE, Facebook can be that social layer needed to foster such gaming communities that help popularize titles, Jones said.

GAMING POPULATION

Over a quarter of Facebook’s 1.06 billion monthly active users play games, one of the largest gaming communities in the industry, and the social network hopes that can grow.

Facebook also aims to make more revenue from games. Revenue from the area was flat in the fourth quarter from a year ago, the company said on Wednesday without providing details.

The 8-year-old social network takes a 30 percent revenue share from game developers who offer their product free but then charge for virtual goods — like ammunition and power boosts.

On Wednesday, Facebook’s Chief Financial Officer David Ebersman told analysts on a post-earnings conference call that its “games ecosystem continues to show healthy signs of diversification” and suggested that games revenue would grow with increasing user engagement.

To grow its gaming business, Facebook has invested time and resources to work with developers since the summer to bring titles like u4iA’s first-person shooter “Offensive Combat” and Plaruim’s real-time strategy game “Stormfall: Age of War” alive, Ryan said.

“It doesn’t mean we’re walking away from other games, but there’s no question our focus for 2013 much of it will be about becoming a better platform for core gamers and developers who make those games.”

To help users discover them, Facebook added new action and strategy games categories on its App Center that also shows you friends from your list playing those games. It brought back notification messages from game apps — a feature that had been removed because users found the annoying — with certain restrictions that stop developers from spamming a gamer.

Developers also rely on word-of-mouth publicity and ads on Facebook’s advertising platform to draw in prospective gamers.

“Stormfall” has a player base of 4.5 million and hardcore games were proving to be far more lucrative, said Gabi Shalel, chief marketing officer Of Tel Aviv, Israel-based Plarium.

“Hardcore gamers pay more, play more and generate higher average revenue per user than traditional casual games.”

Kixeye, which makes the warfare-strategy game “War Commander,” said its gamers spend 20 times more than players of social games, helping it stay profitable over the past three years.

Going forward, nWay’s Jones says Facebook must have a defining title that comes along that establishes it as a hardcore gaming spot for gamers.

“Like ‘Super Mario’ did for Nintendo or ‘Halo’ on Microsoft, I think it just takes one title to come along, sort of as a benchmark to legitimize the whole thing,” he said.

(Reporting By Malathi Nayak; editing by Andrew Hay)

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Wispelwey: Loneliness of the long-distance cellist

LEIDEN, Netherlands (Reuters) – Dutch cellist Peter Wispelwey has recorded the haunting, delightful and soul-uplifting Bach Six Suites for Solo Cello three times and still he’s not finished.

His next, he says, is his “Lost in Translation” version, referring to the Bill Murray movie about an actor coming to terms with an alien culture in Tokyo.

Wispelwey is doing the same, flying into the Japanese capital for recording sessions in the early morning hours.

When it is released, he wants to strew CDs of portions of the Bach suites around Tokyo for people to find them, he told Reuters over a three-course dinner served during intervals as he performed in this Dutch university town.

“That’s my ideal,” he said. “I want the Tokyo preludes, the Tokyo gigues, the Tokyo allemandes.”

At this stage in his career, the 50-year-old Wispelwey who first fell in love with the cello’s growling sound at the age of two while listening to an amateur quartet in which his father played violin, can be indulged.

Growing up in a small country at a time when it did not have much of an established conservatory tradition, he more or less is a self-made cellist, though he has had several of the world’s best teachers, among them compatriot Anner Bylsma.

He made his name in the Netherlands by putting on recitals in his late teens of all the mainstream repertoire for solo cello, renting the hall himself, getting the tickets distributed and playing it all from memory.

He got his international credentials with his first 1990 recording of the Bach suites, for the Channel Classics label, which became one of the gold-standard versions.

His latest, and third version, is unique for tuning his baroque cello, with gut rather than modern steel strings, to a much lower pitch than A at 440 hertz, or slightly higher, which is the standard for modern orchestras, pianos, wind instruments and pretty much everything.

Wispelwey has done it at 397 hertz, a full tone below the modern A tuning, and a semitone, or half tone, below the usual baroque A which is 415 hertz.

There are theoretical reasons, including evidence it was the pitch Bach would have known. But more importantly, the sound world is different.

“If the general public comes in to hear the Bach suites on a baroque cello they need almost an hour just to adjust to that sound world and it’s not surprising,” he said, between gulps of food and before taking a shower to refresh for the continuation of one of the most demanding recital programs, for soloist and audience alike.

“We’re used to a steely, projecting laser beam of a sound and this has shades, it has color and it has the overtones. That’s why we can hear it. It has this very particular shine. but it’s a shine of nobility.”

Here’s what else he had to say about Bach’s appeal today, the mystical “Black Sarabande” and why it can sometimes seem a bit lonely being a cello soloist:

Q: What is it about Bach’s music, written in the early 18th century, that speaks to us three centuries later with such power, if not to say God-like authority?

A: “One is the magic of Bach. Even in the sparse notes of the cellos suites there is a narrative and it becomes more hypnotic the less you hear and the less you hear it filled in. It’s the hypnotic element of being carried away by so little. That said, the concentration of the listener is tunneled and first there’s an emotion of being narrowed but then the opposite happens.

“After an hour that tunnel gives suddenly way to the biggest panorama you’d ever want to see. It starts meaning everything, the small world becomes the big world and everything starts shining and becoming meaningful…Bach’s brain was all over the place all the time. That’s why we’re so eternally intrigued at what kind of creativity was at work there.”

Q: In the Suite No. 5, there’s a movement you call the “Black Sarabande”. Why?

A: “It’s painful, not nice. There is comfort in it but death is there. It’s about blackness, about dust and with the gut C string it sounds like dust, it sounds like throwing something into the grave or a last breath – it’s all there. The first four bars are a sort of solar system, all those notes hanging in space but they are somehow related…It’s dark and light and death and life. It’s so simple that its meaning expands in space. The simpler it is the more meaningful it seems to be.”

Q: Of course you don’t play only Bach – though you play these suites a lot. Two days from now you are doing a Schubert program and you also play modern composers like Ligeti and Crumb. Is it hard finding sufficient repertoire for an instrument which, let’s face it, has never been as big a crowd pleaser as the violin?

A: “It (Bach) does sound like you are playing really serious, profound music, so that’s good, and the other thing of course is the cello repertoire is so small that when we have six pieces by the greatest composer of all time, well, then, of course… There are 15 great cello concertos against 40 great violin concertos. The cello was emancipated (from its accompaniment role) late. Then look at the 20th century. We have Mstislav Rostropovich and suddenly we get this tsunami by the great composers…”

(Editing by Paul Casciato)

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The New Old Age: Caregiving, Laced With Humor

“My grandmother, she’s not a normal person. She’s like a character when she speaks. Every day she’s playing like she’s an actress.”

These are words of love, and they come from Sacha Goldberger, a French photographer who has turned his grandmother, 93-year-old Frederika Goldberger, into a minor European celebrity.

In the photos, you can see the qualities grandson and grandmother have in common: a wicked sense of humor, an utter lack of pretension and a keen taste for theatricality and the absurd.

This isn’t an ordinary caregiving relationship, not by a long shot. But Sacha, 44 years old and unmarried, is deeply devoted to this spirited older relation who has played the role of Mamika (“my little grandmother,” translated from her native Hungarian) in two of his books and a photography exhibition currently under way in Paris.

As for Frederika, “I like everything that my grandson does,” she said in a recent Skype conversation from her apartment, which also serves as Sacha’s office. “I hate not to do anything. Here, with my grandson, I have the feeling I am doing something.”

Their unusual collaboration began after Frederika retired from her career as a textile consultant at age 80 and fell into a funk.

“I was very depressed because I lived for working,” she told me in our Skype conversation.

Sacha had long dreamed of creating what he calls a “Woody Allen-like Web site with a French Jewish humor,” and he had an inspiration. What if he took one of the pillars of that type of humor, a French man’s relationship with his mother and grandmother, and asked Frederika to play along with some oddball ideas?

This Budapest-born baroness, whose family had owned the largest textile factory in Hungary before World War II, was a natural in front of the camera, assuming a straight-faced, imperturbable comic attitude whether donning a motorcycle helmet and goggles, polishing her fingernails with a gherkin, wearing giant flippers on the beach, lighting up a banana, or dressed up as a Christmas tree with a golden star on her head. (All these photos and more appear in “Mamika: My Mighty Little Grandmother,” published in the United States last year.)

“It was like a game for us, deciding what crazy thing we were going to do next, how we were going to keep people from being bored,” said Sacha, who traces his close relationship with his grandmother to age 14, when she taught him how to drive and often picked him up at school. “Making pictures was a very good excuse to spend time together.”

“He thought it was very funny to put a costume on me,” said Frederika. “And I liked it.”

People responded enthusiastically, and before long Sacha had cooked up what ended up becoming the most popular character role for Frederika: Super Mamika, outfitted in a body-hugging costume, tights, a motorcycle helmet and a flowing cape.

His grandmother was a super hero of sorts, because she had helped save 10 people from the Nazis during World War II, said Sacha. He also traced inspiration to Stan Lee, a Jewish artist who created the X-Men, The Hulk and the Fantastic Four for Marvel comics. “I wanted to ask what happens to these super heroes when they get old in these photographs with my grandmother.”

Lest this seem a bit trivial to readers of this blog, consider this passage from Sacha’s introduction to “Mamika: My Might Little Grandmother”:

In a society where youth is the supreme value; where wrinkles have to be camouflaged; where old people are hidden as soon as they become cumbersome, where, for lack of time or desire, it is easier to put our elders in hospices rather than take care of them, I wanted to show that happiness in aging was also possible.

In our Skype conversation, Sacha confessed to anxiety about losing his grandmother, and said: “I always was very worried about what would happen if my grandmother disappeared. Because she is exceptional.”

“I am not normal,” Frederika piped up at his side, her face deeply wrinkled, her short hair beautifully coiffed, seemingly very satisfied with herself.

“So, making these pictures to me is the best thing that could happen,” Sacha continued, “because now my grandma is immortal and it seems everyone knows her. I am giving to everybody in the world a bit of my grandma.”

This wonderful expression of caring and creativity has expanded my view of intergenerational relations in this new old age. What about you?

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Apple phones outsell Samsung in the U.S. in the fourth quarter

Bolstered by sales of its iPhone 5, Apple sold more mobile phones in the U.S. in the fourth quarter than any other maker, including its rival Samsung.

It marks the first time since 2008 that Samsung was not the top phone seller in a quarter.

Still, Samsung retained its crown for all of 2012, selling 53 million devices. Apple was second with 43.7 million phones sold.

For the fourth quarter, Apple sold 17.7 million units, or 34% of the phones sold in the quarter, according to a report released Friday morning by Strategy Analytics. That was up from 12.8 million devices sold in the year-earlier period.

Samsung was next with 16.8 million phones, or 32% of all phones sold in the quarter. Total sales  represented an increase for Samsung, which sold 13.5 million phones a year earlier. 

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"This was a good performance from Samsung, as its market share (of phones sold in the fourth quarter) rose 5 points from 27% a year earlier, but it was not enough to hold off a surging Apple," the report says.

Samsung "will surely be keen to recapture that title in 2013 by launching improved new models such as the rumored Galaxy S4," the report says. 

Third place in the U.S. was LG, which sold 6.9 million phones, 9% of all phones sold during the fourth quarter.

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